• small hut

    The white clouds
    On the mountain tops
    Poke halfway into this thatched hut
    I had thought too cramped
    Even for myself

    – Koho Kennichi (1241-1316)

  • Firefly Episode Guide

    1. Serenity
    After a flashback to Zoe’s and Mal’s days in the wars six years previous, we cut to the modern day where the Serenity crew is running a salvage operation on a deserted ship and are forced to flee with the cargo when the Alliance show up. Their buddy Badger refuses to buy the cargo so they head off to the rim worlds after picking up three passengers: Book, Simon, and Dobson. En route someone sends a signal to the Alliance and it turns out to be Dobson, an undercover Federal agent, who arrests Simon but is glad to take the whole crew in. He shoots Kaylee before being captured, and Simon forces Mal to flee in return for his doctoring services. When Mal investigates Simon’s cargo he finds a naked woman.
    The naked woman is Simon’s sister River, a government test subject he helped to escape. After ducking a dreaded reaver ship, Mal tries and cuts a deal with Patience, an old “friend” but suspects a trap. Patience tries an ambush but the team escapes just as the Reavers return and the Federal agent breaks loose. Mal shoots the agent dead and Wash manages to duck the Reavers. at the end Mal decides to take on all three of his remaining passengers full-time.

    2. The Train Job
    Serenity continues to travel through space conducting illegal runs across the star system, which is under the control of The Alliance. A powerful and fearsome mobster named Adelei Niska demands that the crew of Serenity pull a train robbery. The train is carrying medical supplies for a community, and Reynolds and Zoe get held on suspicion. They get free with Inara’s help but realize they were tricked and try to return Niska’s money. His henchman isn’t too happy, but Mal “persuades” the next guy to take the money back. Meanwhile, two blue-handed, black-suited operatives close in on River.

    3. Bushwhacked
    On a salvage mission aboard a drifting colony ship, the Serenity crew find signs that the crew were killed by the cannabalistic Reavers. They find one survivor, but things take a turn for the worse when an Alliance ship looking for an unspecified Firefly-class ship with brother-and-sister stowaways shows up and takes them in.

    4. Shindig
    On the planet Persephone the crew are contacted by their old “friend” Badger the ruthless crimelord to transport some goods on behalf of a local lord. While at a ball to arrange a transport job with the lord, Mal defends Inara’s honor when her current customer insults her. By local custom he unintentionally challenges her date, Atherton Wing, to a duel.

    5. Safe
    On a planet, Simon is kidnapped by locals who need a doctor, while River is threatened with burning as a witch.

    6. Our Mrs. Reynolds
    While completing a job on a backwater world, Mal is married to a village girl without his knowledge. The girl, Saffron, gets onboard and the crew does not find her until they’re already in the air. Mal is not sure what to do with her, but Zoe thinks she is dangerous.

    7. Jaynestown
    Serenity sets down at the mudder colony of Canton where it turns out Jayne is a hero for having dropped a bunch of money there years ago that he and his partner Stitch stole from the local magistrate. The drop was unintentional but Jayne doesn’t turn down the attentions. Meanwhile, Kaylee and Simon dance, River rewrites Book’s bible, and Inara beds the magistrate’s son, a virgin.

    8. Out of Gas
    In a delirious state after Serenity’s engine explodes, draining the ship of its oxygen supply, Mal has a series of flashbacks about how he came to own Serenity and form his crew.

    9. Ariel
    The crew visit the planet Ariel because Inara needs to receive an annual Companion physical. The crew is offered a surprising job by Simon: in return for stolen medicine he wants them to get him into a hospital to use a high-end scanner to diagnose River. Simon devises a plan – Kaylee and Wash browse through the local dump and find parts to make an imitation emergency vehicle so the crew can get into the hospital posing as EMTs. Simon and River pose as corpses with the aid of a drug Simon has. While Mal and Zoe round up some medicine, Jayne stays with River and Simon, who are unaware he has ratted them out to the Alliance in return for money. Jayne rushes Simon through the examination and on the way out Jayne, Simon, and River are caught by the Alliance. Jayne is betrayed by the Alliance and becomes a prisoner himself. They manage to escape as the Men With Blue Hands arrive and ruthlessly execute anyone who had contact with the Tams. Mal and Zoe end up saving their friends and Simon makes a big deal about Jayne fighting, thinking he was trying to save River and himself. Mal realizes that Jayne leaked the information about Simon and River to the alliance and tosses Jayne in the airlock. Jayne admits to doing so and Mal decides to let Jayne off the hook. In the end, Inara returns, and Simon begins “healing” River.

    10. War Stories
    Jealous of Zoe’s relationship with Mal, Wash insists (thanks to a bit of scheming) that he go with Mal to try to sell some of the medical supplies the crew stole from the Alliance. In the middle of the deal Mal and Wash are kidnapped by men working for Niska the crime lord, who wants revenge against Mal for the botched train heist. He tortures Mal and Wash until Zoe shows up offering money in exchange for the prisoners. Niska says that the money is only enough for one person and Zoe chooses Wash. Wash realizes that Mal’s antagonizing him while they were being tortured was to help keep him alive and kicking. This inspires him to do everything he can to help Zoe rescue Mal from Niska. The rest of the crew jump on board to save the Captain. Meanwhile Inara extends her services to a council member. To the crew of Serenity’s surprise, it’s a woman. And Simon continues to treat River with some of the medicine he stole but she suffers the occasional relapse as well as displays a penchant for blind-shooting.

    11. Trash
    Saffron (from “Our Mrs. Reynolds”) returns – after Mal breaks up her current gig, she convinces him and the crew to help out with a “perfect crime” that isn’t. The crime: go to Bellerophon and steal a criminal’s prototype laser gun from his collection. The plan: Saffron and Mal sneak in and dump the gun down the trash, bypassing security, and the Serenity crew grab it from the disposal system. Of course, this is Saffron, and thigns don’t quite turn out as planned… Meanwhile, Simon figures out Jayne betrayed them (in “Ariel”) and the two have words.

    12. The Message
    An old war comrade of Mal’s and Zoe’s, Tracey, mails his corpse to them. He also leaves a message asking them to deliver his body to his family. Some men claiming to be with the Alliance are on the trail of the body and catch up to them demanding the body. The crew can’t find anything on Tracey’s corpse, but as they prepare to cut it open, Tracey comes back to life. He explains he is smuggling super-organs in his own body. They flee to the planet with the men in hot pursuit and eventually/supposedly agree to give up Tracey. Tracey gets wind of the plan and makes a break for it with Kaylee as a hostage – they shoot him down and Mal reveals they were going to send the officer off since he’s out of his jurisdiction and on a personal mission with no authority. Then Tracey dies and they deliver his body for real this time.

    13. Heart of Gold
    The crew of the Serenity are in for a gunfight when one of Inara’s companion colleagues asks for their help. The Serenity crew defends a bordello from a gunslinger who got a prostitute pregnant and now intends to collect the child; Mal falls for the bordello’s madam.

    14. Objects in Space
    A bounty hunter boards the Serenity to capture River for the Alliance.

  • Julius Caesar – Act 3, Scene 2,

    Friends, Romans, countrymen, lend me your ears;
    I come to bury Caesar, not to praise him;
    The evil that men do lives after them,
    The good is oft interréd with their bones,
    So let it be with Caesar…. The noble Brutus
    Hath told you Caesar was ambitious:
    If it were so, it was a grievous fault,
    And grievously hath Caesar answered it….
    Here, under leave of Brutus and the rest,
    (For Brutus is an honourable man;
    So are they all; all honourable men)
    Come I to speak in Caesar’s funeral….
    He was my friend, faithful and just to me:
    But Brutus says he was ambitious;
    And Brutus is an honourable man….
    He hath brought many captives home to Rome,
    Whose ransoms did the general coffers fill:
    Did this in Caesar seem ambitious?
    When that the poor have cried, Caesar hath wept:
    Ambition should be made of sterner stuff:
    Yet Brutus says he was ambitious;
    And Brutus is an honourable man.
    You all did see that on the Lupercal
    I thrice presented him a kingly crown,
    Which he did thrice refuse: was this ambition?
    Yet Brutus says he was ambitious;
    And, sure, he is an honourable man.
    I speak not to disprove what Brutus spoke,
    But here I am to speak what I do know.
    You all did love him once, not without cause:
    What cause withholds you then to mourn for him?
    O judgement! thou art fled to brutish beasts,
    And men have lost their reason…. Bear with me;
    My heart is in the coffin there with Caesar,
    And I must pause till it come back to me.

    – Mark Anthony

  • God and the artist

    Art is a collaboration between God and the artist, and the less the artist does the better. – Andre Gide

  • Macbeth Act IV, scene I (The witches)

    First Witch: Thrice the brinded cat hath mew’d.

    Second Witch: Thrice and once the hedge-pig whined.

    Third Witch: Harpier cries ‘Tis time, ’tis time.

    First Witch: Round about the cauldron go;
    In the poison’d entrails throw.
    Toad, that under cold stone
    Days and nights has thirty-one
    Swelter’d venom sleeping got,
    Boil thou first i’ the charmed pot.

    ALL: Double, double toil and trouble;
    Fire burn, and cauldron bubble.

    Second Witch: Fillet of a fenny snake,
    In the cauldron boil and bake;
    Eye of newt and toe of frog,
    Wool of bat and tongue of dog,
    Adder’s fork and blind-worm’s sting,
    Lizard’s leg and owlet’s wing,
    For a charm of powerful trouble,
    Like a hell-broth boil and bubble.

    ALL: Double, double toil and trouble;
    Fire burn and cauldron bubble.

    Third Witch: Scale of dragon, tooth of wolf,
    Witches’ mummy, maw and gulf
    Of the ravin’d salt-sea shark,
    Root of hemlock digg’d i’ the dark,
    Liver of blaspheming Jew,
    Gall of goat, and slips of yew
    Silver’d in the moon’s eclipse,
    Nose of Turk and Tartar’s lips,
    Finger of birth-strangled babe
    Ditch-deliver’d by a drab,
    Make the gruel thick and slab:
    Add thereto a tiger’s chaudron,
    For the ingredients of our cauldron.

    ALL: Double, double toil and trouble;
    Fire burn and cauldron bubble.

    Second Witch: Cool it with a baboon’s blood,
    Then the charm is firm and good.

    [Enter HECATE to the other three Witches]

    HECATE: O well done! I commend your pains;
    And every one shall share i’ the gains;
    And now about the cauldron sing,
    Live elves and fairies in a ring,
    Enchanting all that you put in.

    [Music and a song: ‘Black spirits,’ &c]

    [HECATE retires]

    Second Witch: By the pricking of my thumbs,
    Something wicked this way comes.
    Open, locks,
    Whoever knocks!

    [Enter MACBETH]

    MACBETH: How now, you secret, black, and midnight hags!
    What is’t you do?

    ALL: A deed without a name.

    MACBETH: I conjure you, by that which you profess,
    Howe’er you come to know it, answer me:
    Though you untie the winds and let them fight
    Against the churches; though the yesty waves
    Confound and swallow navigation up;
    Though bladed corn be lodged and trees blown down;
    Though castles topple on their warders’ heads;
    Though palaces and pyramids do slope
    Their heads to their foundations; though the treasure
    Of nature’s germens tumble all together,
    Even till destruction sicken; answer me
    To what I ask you.

    First Witch: Speak.

    Second Witch: Demand.

    Third Witch: We’ll answer.

    First Witch: Say, if thou’dst rather hear it from our mouths,
    Or from our masters?

    MACBETH: Call ’em; let me see ’em.

    First Witch: Pour in sow’s blood, that hath eaten
    Her nine farrow; grease that’s sweaten
    From the murderer’s gibbet throw
    Into the flame.

    ALL: Come, high or low;
    Thyself and office deftly show!

    [Thunder. First Apparition: an armed Head]

    MACBETH: Tell me, thou unknown power,–

    First Witch: He knows thy thought:
    Hear his speech, but say thou nought.

    First Apparition: Macbeth! Macbeth! Macbeth! beware Macduff;
    Beware the thane of Fife. Dismiss me. Enough.

    [Descends]

    MACBETH: Whate’er thou art, for thy good caution, thanks;
    Thou hast harp’d my fear aright: but one
    word more,–

    First Witch: He will not be commanded: here’s another,
    More potent than the first.

    [Thunder. Second Apparition: A bloody Child]

    Second Apparition: Macbeth! Macbeth! Macbeth!

    MACBETH: Had I three ears, I’ld hear thee.

    Second Apparition: Be bloody, bold, and resolute; laugh to scorn
    The power of man, for none of woman born
    Shall harm Macbeth.

    [Descends]

    MACBETH: Then live, Macduff: what need I fear of thee?
    But yet I’ll make assurance double sure,
    And take a bond of fate: thou shalt not live;
    That I may tell pale-hearted fear it lies,
    And sleep in spite of thunder.

    [Thunder. Third Apparition: a Child crowned,
    with a tree in his hand
    ]

    What is this
    That rises like the issue of a king,
    And wears upon his baby-brow the round
    And top of sovereignty?

    ALL: Listen, but speak not to’t.

    Third Apparition: Be lion-mettled, proud; and take no care
    Who chafes, who frets, or where conspirers are:
    Macbeth shall never vanquish’d be until
    Great Birnam wood to high Dunsinane hill
    Shall come against him.

    [Descends]

    MACBETH: That will never be
    Who can impress the forest, bid the tree
    Unfix his earth-bound root? Sweet bodements! good!
    Rebellion’s head, rise never till the wood
    Of Birnam rise, and our high-placed Macbeth
    Shall live the lease of nature, pay his breath
    To time and mortal custom. Yet my heart
    Throbs to know one thing: tell me, if your art
    Can tell so much: shall Banquo’s issue ever
    Reign in this kingdom?

    ALL: Seek to know no more.

    MACBETH: I will be satisfied: deny me this,
    And an eternal curse fall on you! Let me know.
    Why sinks that cauldron? and what noise is this?

    [Hautboys]

    First Witch: Show!

    Second Witch: Show!

    Third Witch: Show!

    ALL: Show his eyes, and grieve his heart;
    Come like shadows, so depart!

    [A show of Eight Kings, the last with a glass in
    his hand; GHOST OF BANQUO following
    ]

    MACBETH: Thou art too like the spirit of Banquo: down!
    Thy crown does sear mine eye-balls. And thy hair,
    Thou other gold-bound brow, is like the first.
    A third is like the former. Filthy hags!
    Why do you show me this? A fourth! Start, eyes!
    What, will the line stretch out to the crack of doom?
    Another yet! A seventh! I’ll see no more:
    And yet the eighth appears, who bears a glass
    Which shows me many more; and some I see
    That two-fold balls and treble scepters carry:
    Horrible sight! Now, I see, ’tis true;
    For the blood-bolter’d Banquo smiles upon me,
    And points at them for his.

    [Apparitions vanish]

    What, is this so?

    First Witch: Ay, sir, all this is so: but why
    Stands Macbeth thus amazedly?
    Come, sisters, cheer we up his sprites,
    And show the best of our delights:
    I’ll charm the air to give a sound,
    While you perform your antic round:
    That this great king may kindly say,
    Our duties did his welcome pay.

    [Music. The witches dance and then vanish,
    with HECATE
    ]

    MACBETH: Where are they? Gone? Let this pernicious hour
    Stand aye accursed in the calendar!
    Come in, without there!

    [Enter LENNOX]

    LENNOX: What’s your grace’s will?

    MACBETH: Saw you the weird sisters?

    LENNOX: No, my lord.

    MACBETH: Came they not by you?

    LENNOX: No, indeed, my lord.

    MACBETH: Infected be the air whereon they ride;
    And damn’d all those that trust them! I did hear
    The galloping of horse: who was’t came by?

    LENNOX: ‘Tis two or three, my lord, that bring you word
    Macduff is fled to England.

    MACBETH: Fled to England!

    LENNOX: Ay, my good lord.

    MACBETH: Time, thou anticipatest my dread exploits:
    The flighty purpose never is o’ertook
    Unless the deed go with it; from this moment
    The very firstlings of my heart shall be
    The firstlings of my hand. And even now,
    To crown my thoughts with acts, be it thought and done:
    The castle of Macduff I will surprise;
    Seize upon Fife; give to the edge o’ the sword
    His wife, his babes, and all unfortunate souls
    That trace him in his line. No boasting like a fool;
    This deed I’ll do before this purpose cool.
    But no more sights!–Where are these gentlemen?
    Come, bring me where they are.

  • Brown Penny

    I WHISPERED, “I am too young,”
    And then, “I am old enough”;
    Wherefore I threw a penny
    To find out if I might love.

    “Go and love, go and love, young man,
    If the lady be young and fair.”
    Ah, penny, brown penny, brown penny,
    I am looped in the loops of her hair.

    O love is the crooked thing,
    There is nobody wise enough
    To find out all that is in it,
    For he would be thinking of love

    Till the stars had run away
    And the shadows eaten the moon.
    Ah, penny, brown penny, brown penny,
    One cannot begin it too soon.

    – William Butler Yeats (1910)

  • On the Night Train

    Have you seen the bush by moonlight, from the train, go running by?
    Blackened log and stump and sapling, ghostly trees all dead and dry;
    Here a patch of glassy water; there a glimpse of mystic sky?
    Have you heard the still voice calling – yet so warm, and yet so cold:
    “I’m the Mother-Bush that bore you! Come to me when you are old?”

    Did you see the Bush below you sweeping darkly to the Range,
    All unchanged and all unchanging, yet so very old and strange!
    While you thought in softened anger of the things that did estrange?
    Did you hear the Bush a-calling, when your heart was young and bold:
    “I’m the Mother-Bush that nursed you! Come to me when you are old?”

    In the cutting or the tunnel, out of sight of stock or shed,
    Did you hear the grey Bush calling from the pine-ridge overhead:
    “You have seen the seas and cities – all is cold to you, or dead –
    All seems done and all seems told, but the grey-light turns to gold!
    I’m the Mother-Bush that loves you! Come to me now you are old?”

    – Henry Lawson (1922)

  • no one is deluded

    No one is absent and no one is ignorant.
    Originally, no one is deluded.
    – Bankei (1622-1693)

  • Newton’s inquiry

    “I keep the subject of my inquiry constantly before me, and wait till the first dawning opens gradually, by little and little, into a full and clear light.”

    – Isaac Newton