Month: June 2006

  • On the Night Train

    Have you seen the bush by moonlight, from the train, go running by?
    Blackened log and stump and sapling, ghostly trees all dead and dry;
    Here a patch of glassy water; there a glimpse of mystic sky?
    Have you heard the still voice calling – yet so warm, and yet so cold:
    “I’m the Mother-Bush that bore you! Come to me when you are old?”

    Did you see the Bush below you sweeping darkly to the Range,
    All unchanged and all unchanging, yet so very old and strange!
    While you thought in softened anger of the things that did estrange?
    Did you hear the Bush a-calling, when your heart was young and bold:
    “I’m the Mother-Bush that nursed you! Come to me when you are old?”

    In the cutting or the tunnel, out of sight of stock or shed,
    Did you hear the grey Bush calling from the pine-ridge overhead:
    “You have seen the seas and cities – all is cold to you, or dead –
    All seems done and all seems told, but the grey-light turns to gold!
    I’m the Mother-Bush that loves you! Come to me now you are old?”

    – Henry Lawson (1922)

  • no one is deluded

    No one is absent and no one is ignorant.
    Originally, no one is deluded.
    – Bankei (1622-1693)

  • Newton’s inquiry

    “I keep the subject of my inquiry constantly before me, and wait till the first dawning opens gradually, by little and little, into a full and clear light.”

    – Isaac Newton

  • Anarchy

    “Anarchism is founded on the observation that since few men are wise enough to rule themselves, even fewer are wise enough to rule others.”

    – Edward Abbey

  • Act without mind

    They act without mind,
    They respond with certainty.

    – Hongzhi Zhengjue (1091-1157)

  • not a word

    After enlightenment one understands
    That the Six Classics
    Contain not even a word.
    – Wang Yang-ming (1472-1529)

  • Devote yourself to sitting

    DSC00556 – Cliff Edge

    Originally uploaded by RaeA.


    When you just sit,
    you are free from the five sense desires
    and the five hindrances.

    – Dogen (1200-1253)

  • Fret about enlightenment

    Does one really have to fret
    About enlightenment?
    No matter what road I travel,
    I’m going home.

    – Shinsho

  • The God Works in Circle

    (on the occassion of Australia advancing in the World cup)


    a ball lover
    is our god
    a soccer player
    he is
    the whole universe
    his field
    the planets,
    the stars,
    our earth
    all shuttling
    through space
    like balls
    shove from
    one corner
    to the other

    our heads,
    our eyes,
    the balls
    that the gods
    give us
    to play
    all
    the games
    in his world

    the moon
    in its
    lunar journey
    round and round
    good and bad
    too come
    in a circle

    what goes around
    comes around
    kindness begets kindness
    do bad and
    it comes back
    in a circle
    cos our god
    is a lover of
    a ball game

    start walking anywhere
    in the universe
    and you get back
    to your own place
    cos our god
    loves the circle game
    the circle game
    the circle game

    john tiong chunghoo

  • Faces In The Street

    They lie, the men who tell us in a loud decisive tone
    That want is here a stranger, and that misery’s unknown;
    For where the nearest suburb and the city proper meet
    My window-sill is level with the faces in the street
    Drifting past, drifting past,
    To the beat of weary feet
    While I sorrow for the owners of those faces in the street.

    And cause I have to sorrow, in a land so young and fair,
    To see upon those faces stamped the marks of Want and Care;
    I look in vain for traces of the fresh and fair and sweet
    In sallow, sunken faces that are drifting through the street
    Drifting on, drifting on,
    To the scrape of restless feet;
    I can sorrow for the owners of the faces in the street.

    In hours before the dawning dims the starlight in the sky
    The wan and weary faces first begin to trickle by,
    Increasing as the moments hurry on with morning feet,
    Till like a pallid river flow the faces in the street
    Flowing in, flowing in,
    To the beat of hurried feet
    Ah! I sorrow for the owners of those faces in the street.

    The human river dwindles when ’tis past the hour of eight,
    Its waves go flowing faster in the fear of being late;
    But slowly drag the moments, whilst beneath the dust and heat
    The city grinds the owners of the faces in the street
    Grinding body, grinding soul,
    Yielding scarce enough to eat
    Oh! I sorrow for the owners of the faces in the street.

    And then the only faces till the sun is sinking down
    Are those of outside toilers and the idlers of the town,
    Save here and there a face that seems a stranger in the street,
    Tells of the city’s unemployed upon his weary beat
    Drifting round, drifting round,
    To the tread of listless feet
    Ah! My heart aches for the owner of that sad face in the street.

    And when the hours on lagging feet have slowly dragged away,
    And sickly yellow gaslights rise to mock the going day,
    Then flowing past my window like a tide in its retreat,
    Again I see the pallid stream of faces in the street
    Ebbing out, ebbing out,
    To the drag of tired feet,
    While my heart is aching dumbly for the faces in the street.

    And now all blurred and smirched with vice the day’s sad pages end,
    For while the short `large hours’ toward the longer `small hours’ trend,
    With smiles that mock the wearer, and with words that half entreat,
    Delilah pleads for custom at the corner of the street
    Sinking down, sinking down,
    Battered wreck by tempests beat
    A dreadful, thankless trade is hers, that Woman of the Street.

    But, ah! to dreader things than these our fair young city comes,
    For in its heart are growing thick the filthy dens and slums,
    Where human forms shall rot away in sties for swine unmeet,
    And ghostly faces shall be seen unfit for any street
    Rotting out, rotting out,
    For the lack of air and meat
    In dens of vice and horror that are hidden from the street.

    I wonder would the apathy of wealthy men endure
    Were all their windows level with the faces of the Poor?
    Ah! Mammon’s slaves, your knees shall knock, your hearts in terror beat,
    When God demands a reason for the sorrows of the street,
    The wrong things and the bad things
    And the sad things that we meet
    In the filthy lane and alley, and the cruel, heartless street.

    I left the dreadful corner where the steps are never still,
    And sought another window overlooking gorge and hill;
    But when the night came dreary with the driving rain and sleet,
    They haunted me — the shadows of those faces in the street,
    Flitting by, flitting by,
    Flitting by with noiseless feet,
    And with cheeks but little paler than the real ones in the street.

    Once I cried: ‘Oh, God Almighty! if Thy might doth still endure,
    Now show me in a vision for the wrongs of Earth a cure.’
    And, lo! with shops all shuttered I beheld a city’s street,
    And in the warning distance heard the tramp of many feet,
    Coming near, coming near,
    To a drum’s dull distant beat,
    And soon I saw the army that was marching down the street.

    Then, like a swollen river that has broken bank and wall,
    The human flood came pouring with the red flags over all,
    And kindled eyes all blazing bright with revolution’s heat,
    And flashing swords reflecting rigid faces in the street.
    Pouring on, pouring on,
    To a drum’s loud threatening beat,
    And the war-hymns and the cheering of the people in the street.

    And so it must be while the world goes rolling round its course,
    The warning pen shall write in vain, the warning voice grow hoarse,
    But not until a city feels Red Revolution’s feet
    Shall its sad people miss awhile the terrors of the street
    The dreadful everlasting strife
    For scarcely clothes and meat
    In that pent track of living death — the city’s cruel street.

    – Henry Lawson (July 1888)